an acting technique introduced by Stanislavsky in which the actor recalls emotions or reactions from his or her own life and uses them to identify with the character being portrayed
designed to activate or move or regulate itself
a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)
the performance of a part or role in a drama
serving temporarily especially as a substitute
an acting technique introduced by Stanislavsky in which the actor recalls emotions or reactions from his or her own life and uses them to identify with the character being portrayed
